2019 Scholarship Winners

S. Livingston Mather Scholar

Samuel Kidd

Baritone
College Conservatory of Music at the University of Cincinnati

Samuel Kidd, a baritone from Ann Arbor, Michigan, is a first-year master student studying vocal performance at the College Conservatory of Music at the University of Cincinnati, under the instruction of Bill McGraw. He recently graduated from the University of Michigan, where he studied with Freda Herseth. In 2018, Samuel was named a winner of the Metropolitan Opera National Council Auditions in the Michigan District and awarded the David DiChiera prize for most promising young artist. He has also been named the winner of the University of Michigan Undergraduate Concerto Competition in 2016, and of The Friends of Opera Undergraduate Competition in 2017.

The past two summers, Samuel has been a vocal fellow at the Music Academy of the West. In 2019, he performed the roles of Ethan/Owens in Cold Mountain by Jennifer Higdon, as well as the bass solos in Pulcinella by Stravinsky under the baton of Thomas Adès. In 2018, he performed the role of Jazz Trio in Bernstein’s Trouble in Tahiti, as well as in the chorus of Mozart's Le nozze di Figaro. Samuel enjoys oratorio and choral singing, having performed the baritone solos in Vaughn Williams’ Dona Nobis Pacem with the University of Michigan Symphony Orchestra, Haydn’s Creation and Mozart’s Requiem with the Plymouth Oratorio society, and bass solos in Bach’s Mass in B minor and Montiverdi’s 1610 Vespers with Audivi and the Michigan Bach Collective.

Samua

George L. Hackett Scholar

Tayte Mitchell

Tenor

College Conservatory of Music at the University of Cincinnati

Tayte Mitchell, a tenor from Vulcan, Alberta, Canada, is currently pursuing his Master’s degree in Voice Performance at the Cincinnati Conservatory-College of Music under the tutelage of William E. McGraw. Recently, Tayte was a Vocal Fellow for at the Music Academy of the West located in Santa Barbara, California.

Tayte’s operatic engagements include Oronte in Handel's Alcina, Le Prince Charmant in Massenet’s Cendrillon, the title role in Britten’s Albert Herring, Satirino in Cavalli’s La Calisto. At the end of November 2019, Tayte will perform the role of Vašek in Smetana’s The Bartered Bride with CCM.

Tayte was named an Albert Rees Davis Scholar in the Singers’ Club of Cleveland’s S. Livingston Mather Competition back in 2016, was awarded Honourable Mention from the Hal Leonard Art Song Competition, and has received the Arts Graduate Scholarship from the Government of Alberta. Tayte Mitchell received his Bachelors of Music at the Oberlin Conservatory, dual majoring in Voice Performance under Lorraine Manz and Opera Directing under Jonathon Field with a minor in Music History.

Taye Mitchell

Jere H. Brophy Scholar

Louis Ong

Baritone

University of Michigan

Louis Ong is a baritone from Perak, Malaysia and is currently in the Specialist in Music program at the University of Michigan where he was awarded a full tuition scholarship. He received his Master’s in Vocal Performance from Louisiana State University where he received the Turner-Fischer Scholarship and the Baton Rouge Opera Guild Scholarship.

His honors also include the Encouragement Award, Metropolitan Opera National Council Auditions (Michigan) and the First Prize Award in the 6th Bangkok Opera ASEAN International Singing Competition for undergraduates. Louis has performed Ford in Falstaff at LSU Opera, the title role in Don Giovanni at both La Musica Lirica and the Operafestival di Roma in Italy.

Louis

Albert Rees Davis Scholar

Xuyue Qing

Tenor

Kent State University

Xuyue Qing is a tenor from TongLing, Anhui, China. He obtained his Bachelor’s degree from Shanghai Conservatory of Music where he studied with Prof. Yi Ge and performed many operatic concerts and recitals. He is pursuing his master’s degree at Kent State University where he is studying with Tim Culver. In the 2017 season, he sang with Opera Western Reserve from China for his American operatic debut as Normano in Lucia di Lammermoor.

In summer 2018, he was invited as a guest artist to present a “Vocal Lecture” at Henan University, China. In spring 2019, he sang the role of Mr. Splinter in The Tenderland with Kent State Opera. He was a semi-finalist in the 66th Washington International Competition for Voice. He was invited to sing in the Golden Fall Moon Festival Concert 2019 by DongFang Chinese Performing Arts Association in Wentz Concert Hall. He won First Place in graduate category and the award for Fine Singing Honoring Richard Miller in the 2019 Ohio NATS Competition. This season, he will be singing the role of Malcolm in Verdi’s Macbeth for Opera Western Reserve.

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Albert Rees Davis Scholar

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Carl Rosenthal

Tenor

Indiana University Jacobs School of Music

Originally from Arlington, Virginia, tenor Carl Rosenthal has sung a variety of opera, musical theater, and oratorio roles to great acclaim. In July of 2018, he debuted as Tamino in Die Zauberflöte in Prague’s historic Estates Theater, as part of the Prague Summer Nights Music Festival. He is currently completing a Master of Music degree in Voice Performance at the Indiana University Jacobs School of Music, where he studies with internationally-acclaimed soprano Carol Vaness and coach Gary Arvin.

His most recent performance at Jacobs was as the Celebrant in a fully-staged version of Bernstein’s MASS, a performance for which he was praised as “compelling” and “splendid” by the Indiana Herald-Times. Other IU credits include Le Chevalier de la Force in Dialogues of the Carmelites, Bernardo in West Side Story, Gonzalve in L’heure Espagnole, and Mr. Martini in the collegiate premiere of Jake Heggie’s It’s a Wonderful Life. This season, he will appear as Dritte Knappe in Parsifal and Gastone in La Traviata. Rosenthal has also been an active recitalist, premiering new works such as Erik Ransom’s Man and the Sea cantata and Michael Turnblom’s Passion oratorio, as well as several performances as the tenor soloist in Handel’s Messiah in the Washington D.C. area. Rosenthal has participated in several young artist training programs, including the Aspen Music Festival, Brevard Music Center, Opera New Jersey, and Accademia Lirica Ischia. Rosenthal earned a Bachelor of Arts from Columbia University and worked as a mathematics teacher in New York City before pursuing a career in classical music.


The Singers’ Club actively promotes choral music by awarding scholarships and fellowships to promising male vocal students through the S. Livingston Mather Vocal Competition, honoring the member whose charitable trust has funded the top scholarship. This year’s competition was held October 26th in the acoustically-exceptional Judson Manor Ballroom. The awards were funded by the S. Livingston Mather Charitable Trust, the George L. Hackett Scholarship Endowment, the Jere and Elaine Brophy Memorial Scholarship Fund, and the Albert Rees Davis Endowment Fund.

Applicants were required to submit a performance CD and 16 finalists were selected for the competition which was co-chaired by John A. Shields, Jr. and E. Joe & Gail Raabe. The Club extends sincere appreciation to this year’s judges who selected the winners:

  • Daniel Hathaway (founder and editor of Cleveland Classical.com and adjunct faculty member at Oberlin College)

  • Mary Schiller (Head of the Voice Department, Cleveland Institute of Music)

  • Joanne Uniatowski (Associate Professor of Voice, Baldwin Wallace University Conservatory of Music)